Our work

What Comes Off Our Floor

Real pieces off our floor, with the fabric, GSM and stitch written beside each one.

30pieces per style minimum

7days to your first sample

3–4weeks for bulk, once approved

Get a Quote See any piece on a live call

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Tees & Tops

Heavyweight Boxy Tee

The weight is the selling point — and the collar is where it survives or fails.

The spec

Fabric: 240 GSM combed ring-spun cotton, pre-shrunk before cutting
Cut: Drop shoulder, longline body
Collar: 1×1 rib, taped shoulder-to-shoulder
Seams: Side-seamed; coverstitched double-needle hem
Decoration: Puff print, centre chest
Trims: Woven neck label; tear-away option

What to look atShot 03 is the collar. The tape running shoulder to shoulder is what stops the neckline going wavy after ten washes.

Above about 240 GSM on a tee, drape starts costing you as much as weight buys.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Hoodies & Sweats

450 GSM Oversized Hoodie

Heavyweight brushed fleece on a three-panel hood that stands up on its own.

The spec

Fabric: 450 GSM brushed fleece
Cut: Drop shoulder, boxy
Hood: Three-panel
Ribbing: 2×2 rib at cuff and hem, spandex-blended to hold its shape
Pocket: Kangaroo
Decoration: 3D puff embroidery, left chest
Trims: Flat drawcords, metal-tipped; woven neck label

What to look atShot 02 is the back of the hood. A two-panel hood lies flat against the back; a three-panel stands up on its own.

320 GSM brushed fleece is the streetwear standard. 400–500+ GSM is where a hoodie reads as heavyweight.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Hoodies & Sweats

320 GSM Crewneck

Embroidery re-digitised for the pile, so it does not pucker the way a tee file does.

The spec

Fabric: 320 GSM brushed fleece
Cut: Set-in shoulder
Collar: Set-in ribbed crew, 2×2, spandex-blended
Cuffs & hem: Ribbed
Decoration: Embroidery, left chest — re-digitised for the pile and backed
Trims: Woven neck label

What to look atShot 03 is the stitch on the pile. Brushed fleece has loft, so a design digitised for a flat tee puckers on a crewneck.

Crewnecks fail at the collar — rib that stretches once and never comes back.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Outerwear

Wool-Blend Varsity Jacket

Melton body, contrast sleeves, and chenille that is sewn in rather than glued on.

The spec

Body: Wool-blend melton
Sleeves: Contrast
Lining: Quilted
Trims: Ribbed knit collar, cuff and hem with contrast tipping
Hardware: Snap placket
Decoration: Chenille patch, chest; embroidery on the sleeve

What to look atShot 03 is the edge of the chenille. Patches are cut-and-sewn or woven and edge-stitched into the garment, not glued on.

Rib tipping is specified as its own line — collar, cuff and hem can each carry a different contrast.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Team Kit

Sublimated Basketball Kit

Names and numbers dyed into the fibre.

The spec

Fabric: Sublimation-ready poly interlock
Build: Sleeveless jersey + shorts with matched side panels
Decoration: Sublimated names and numbers, edge to edge; embroidered crest
Sizes: Youth through 5XL in one order
Packing: Bagged by name or number

What to look atShot 03 is a number at the edge of a panel. Sublimation runs edge to edge because the dye becomes the fabric — there is no ink sitting on top to peel.

A straight answer on dark kits: sublimation only shows on white or light poly. A black kit is printed full-panel or decorated on a dark base. Names and numbers do not raise the minimum.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Polos & Workwear

Ripstop Work Shirt

Built for industrial washing, with a name patch that can be replaced when people change.

The spec

Fabric: Ripstop cotton-poly, 180–260 GSM
Weave: Grid-reinforced, so a small tear does not become a big one
Seams: Double-needle; bar-tacked at pocket corners, placket and sleeve openings
Pockets: Twin chest, reinforced
Decoration: Embroidery — survives industrial wash where a print eventually cracks or lifts
Patches: Woven or embroidered name patches, replaceable

What to look atShot 03 is a pocket corner. Bar-tacks at the corners, placket and sleeve openings are where workwear either lasts a year or does not.

We are not an ANSI/ISEA 107 hi-vis or NFPA 2112 flame-resistant supplier. Hi-vis cloth and reflective tape are available, but the garment is not certified safety wear, and that is written on the quote as well as here.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Outerwear

Ripstop Windbreaker

A light coated shell with bound seams — water-resistant, and we say so rather than saying waterproof.

The spec

Shell: Ripstop nylon, DWR-finished
Lining: Unlined, for packability
Seams: Bound
Hardware: YKK or equivalent zip, custom puller, contrast tape
Hood: Attached, drawcord-adjusted
Decoration: DTF transfer, full colour on the coated shell

What to look atShot 03 is the transfer on the coating. A coated shell will not take a conventional print cleanly, which is why this is DTF and not screen.

Water-resistant handles wind and light rain. Fully waterproof is a heavier build, and a different quote.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Bottoms

Relaxed Cargo Sweatpant

Cut on the same block as the jogger, with utility pockets and an open hem.

The spec

Fabric: 300–350 GSM brushed fleece
Fit: Roomy through the leg, low rise
Pattern: Same block as the jogger
Pockets: Utility cargo with flap detail; slant hand pockets
Hem: Clean open hem
Decoration: Screen print down the leg

What to look atShot 03 is the cargo flap and its bar-tacks. A patch pocket carrying weight is only as good as the tacks at its corners.

Pre-shrunk, with the fit spec'd off the washed sample.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Bottoms

Tapered Jogger, 350 GSM

Patterned from a pair that already fits, not from a stock size chart.

The spec

Fabric: 350 GSM brushed fleece
Fit: Slim taper, mid rise, cut to your break
Cuff: Ribbed ankle
Waistband: Covered elastic, exposed drawcord
Pockets: Slant, one zip-secured
Decoration: 3D puff embroidery, thigh

What to look atShot 02 is the seat and the taper. Rise and cuff opening are the two numbers that decide whether a jogger looks bought or made.

300–350 GSM brushed fleece is the streetwear standard; 400–450 gives a boxier, heavier drape.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Polos & Workwear

Cotton Pique Polo

A collar that still stands after the tenth wash, and a placket bar-tacked at the base.

The spec

Fabric: 200 GSM cotton pique, pre-shrunk before cutting
Collar: Ribbed, set to keep its shape through repeated washing
Placket: Bar-tacked at the base
Neck: Taped seam
Hem: Side vents, cut to sit flat tucked or out
Decoration: Left-chest embroidery — size, position and density approved before the run
Trims: Woven neck label, printed size tag

What to look atShot 03 is the base of the placket. The bar-tack is the stitch that stops a placket tearing where it is pulled open every day.

Pique is textured, breathable and stable enough that the collar keeps its shape. Jersey is smoother and softer, with more drape.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Tracksuits & Sets

Poly Tricot Tracksuit

Jacket and pant cut from one fabric lot, so both halves match.

The spec

Fabric: Poly tricot — the classic shiny tracksuit hand
Build: Full-zip jacket + tapered jogger
Cutting: Both halves from one fabric lot
Trims: Rib tipping on collar, cuff and hem, matched across the set
Hardware: YKK or equivalent zip, custom puller
Decoration: Embroidery — chest logo and leg mark

What to look atShot 03 is the rib tipping. Collar, cuff and hem are specified once across the whole set rather than piece by piece.

A set counts as one piece against the 30-piece minimum, never two.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Tees & Tops

Acid-Wash Tee

A garment wash that ages the piece on purpose, run after the print rather than before it.

The spec

Fabric: 180 GSM combed ring-spun cotton, enzyme-washed and pre-shrunk
Cut: Classic, set-in sleeve
Collar: 1×1 rib, taped shoulder-to-shoulder
Finish: Acid wash — washes run before or after decoration; this one after
Decoration: Screen print, plastisol
Trims: Printed tear-away label

What to look atShot 03 is the print edge. Washed after printing, the graphic ages with the cloth instead of sitting on top of it.

We spec the fit off the washed sample, so bulk matches what you approved rather than what came off the cutting table.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Activewear

Squat-Proof Leggings

Opaque under stretch, on a four-needle six-thread flatlock, and filmed being squat-tested.

The spec

Fabric: 88/12 poly-spandex, 200 GSM and up
Opacity: Opaque under stretch
Rise: High
Seams: Stress seams on 4-needle 6-thread flatlock
Panels: Panel and gusset engineering for range of motion
Decoration: Sublimated on light poly; heat-transfer on black, where most leggings land
Labels: Heat-transfer or bonded — no woven tag against skin

What to look atShot 04 is the bonded label. Nothing scratchy against skin is the whole reason activewear labels are printed rather than sewn.

Every legging sample is squat-tested on video before you approve it.

Quote a piece like this

The pattern. Body width and shoulder drop are what make a cut boxy or classic.

Where most photos stop. Seams, yoke and back placement are all here.

Close enough to see whether a logo is stitched, printed, dyed in or glued on.

Your label, not ours. This is the shot that shows private label is real.

Tracksuits & Sets

French Terry Shorts Set

A summer-weight set — top and shorts cut to match on the same block.

The spec

Fabric: Mid-weight French terry, smooth loopback
Build: Short-sleeve top + shorts, cut to match
Rib & cord: Matched rib and drawcord, specified once across the set
Decoration: Screen print, plastisol, across top and bottom
Trims: Woven neck label; your hangtags

What to look atShot 01 shows the two halves together. The tell on a bad set is a top and bottom that read as two different greys in daylight.

A set counts as one piece. Colours share the 30, at least six pieces per colour (one full size run).

Quote a piece like this

minimum once the floor confirms it. -->

Behind every piece

What holds once you order, not just in the photographs

Your sample is the standard

Bulk is checked against the piece you approved, not a spec sheet — and you can send your own inspector to check it against that piece rather than take our word for it.

Reorders match

If a mill, fabric or line ever changes between runs, you are told first and you approve a re-sample before bulk.

The quote is the landed price

Freight, duty and VAT are itemised and paid before the parcel moves. Nothing to settle with a courier at your door.

Craftsmanship

Six close-ups at true scale

Even seams, clean topstitching, your label, and a print that has already been through the wash. Photographed close enough to argue with.

Topstitching at true scale — even gauge, no drift off the fold.

2×2 rib, relaxed and stretched — spandex-blended to hold its shape.

Stitch density on brushed fleece, re-digitised for the pile.

Where the ink stops and the cloth starts.

A woven label, sewn in — your brand, not ours.

Zip, puller and tape — trims specified line by line.

Quality control

What You Approve Is What You Get

Before a single bulk piece is made, you approve a sample. Then we match it — stitch for stitch — across your whole run. Same fabric, same fit, same finish. That’s the promise most overseas factories can’t keep.

Below is the same style twice: the sample that was signed off, and a piece pulled at random out of the bulk carton. Same light, same angle, same distance — photographed any other way, the pair would not be worth looking at.

The sample you approved

Photographed the day it was signed off.

Pulled from the bulk carton

Same lighting, angle and distance as the sample shot.

On your own order you get photo updates at each stage, so you are not waiting until a carton lands to find out what was made.

See it yourself

Ask to see any piece on this page on a live call

We will hold it up, turn it inside out, and weigh the cloth on camera. A produced factory video proves nothing; an unscripted one does.

Factory tours: Mon–Thu & Sat, 11am–7pm PKT
Evening founder calls: 7–11pm PKT, any day
Reply time: Within 24 hours

Book a live factory tour

Behind the scenes

The same team cuts, sews and checks every order

When you message us you are talking to the floor, not a sales layer relaying to it. The people who cut and sew your order are the people who answer.

Meet the founder who runs this floor

FAQ

Questions about this page

One figure, on every page, checked by a script.Our minimum, lead times and payment stages are stored once and pushed to every page that states them, and a check runs on every build — if one page has drifted, the build fails instead of shipping. Ask three suppliers the same four questions, then see whether each one’s answers agree with their own site.

Are these your own photographs?

Yes. Every piece on this page was cut, sewn and finished in our own unit in Sialkot, Pakistan, and photographed here. Nothing on this page is a stock image or a supplier catalogue shot.

Can I see one of these pieces in person before I order?

You can see it on a live call. Tours run Monday to Thursday and Saturday, 11am–7pm PKT, and evening founder calls run 7–11pm PKT any day. We will hold the piece up, turn it inside out and weigh the cloth on camera if you ask.

Can you make one of these exactly?

The spec beside each piece is a starting point, not a fixed product. Fabric, weight, construction, decoration and trims are all yours to change — those five decisions are what your price is made of.

What is the minimum for a piece like these?

30 pieces per style. You can mix sizes and colours within a style, with at least six pieces per colour. A tracksuit or a shorts set counts as one piece, never two.

How do I know bulk will match the piece I approved?

You approve a single-piece sample first. If a mill, fabric or line ever changes between runs, you're told first and approve a re-sample before bulk.

How is the fabric weight checked?

About ±5% is normal mill variance. A 20–30% drop is a different roll, not variance. We weigh a swatch from your bulk roll and share the number beside your sample's before anything is cut.

You pay in three stages, and each one is billed against proof

40% to buy and cut your fabric. 30% once you have seen photographs or video of your own order being cut and sewn — your fabric, your colours, not stock imagery. 30% at the quality-control gateway, after finished-goods photographs of the packed run. Under thirty pieces it is two stages instead of three.

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